ZEITGUISEDs focus on virtual prosthetics is corrupting the tropes of vandalism with digital means.
In an International Art English shorthand, the work of ZEITGUISED erases the distinction between synthetic authenticism and authentic syntheticism in one algorithm aided gesture.
Pairing digital abstractions with photorealistic depictions via spatial installations in The Zoo (2004) and Peripetics (2008), ZEITGUISED is considered to have started a genre that has grown extensively in the realms of digital art ever since. geist.xyz (2016) is the first natively virtual textile design project and has been acquired by the V&A into their permanent digital collection.
TheFoundSpace 2022 - Creative Review 2021 - Damn 2019 - Yuz Talk 2019 - LS:N Global 2019 - Meisterrat 2019 - Joja 2019 - LVL3 2018 - Strrr.tv 2018 - FranklinTill 2017 - Der Spiegel 2017 - Shift 2016 - PostMatter 2016 - WeHeart 2016 - Ignant 2016 - It’sNiceThat 2016 - Differenz Magazin 2015 - Der Spiegel 2014 - Huffington Post 2012 - Wired 2010 - Ventilate 2009
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For commercial collaborations, visit our creative service labels ZEITGUISED.STUDIO and FYI Henriksson.